BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Philip Glass - ECPv6.15.13.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Philip Glass
X-ORIGINAL-URL:https://philipglass.com
X-WR-CALDESC:Events for Philip Glass
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20260101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270601
DTEND;VALUE=DATE:20270602
DTSTAMP:20260803T111209
CREATED:20260729T235820Z
LAST-MODIFIED:20260802T232959Z
UID:10002034-1811808000-1811894399@philipglass.com
SUMMARY:Copenhagen\, Denmark (Ballet: In Creases)
DESCRIPTION:https://www.kglteater.dk/en/ballet/2627/giant-steps \nDet Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark \nBallet: In Creases \nCREATIVE TEAM \nDIRIGENTMatthew Rowe \nKOREOGRAFIJustin PeckPam TanowitzUlysses Dove \nKOMPONISTArvo PärtPhilip GlassTed Hearne \nKOSTUMEDESIGNHarriet JungJustin PeckMarc HappelReid Bartelme \nSCENOGRAFI OG KOSTUMEDESIGNJorge Gallardo \nLYSDESIGNBjörn NilssonMark StanleyMartin SäfströmSimon Bennison \nCAST
URL:https://philipglass.com/event/copenhagen-denmark-ballet-in-creases-5/
LOCATION:Det Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270602
DTEND;VALUE=DATE:20270603
DTSTAMP:20260803T111209
CREATED:20260729T235826Z
LAST-MODIFIED:20260802T232957Z
UID:10002036-1811894400-1811980799@philipglass.com
SUMMARY:Copenhagen\, Denmark (Ballet: In Creases)
DESCRIPTION:https://www.kglteater.dk/en/ballet/2627/giant-steps \nDet Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark \nBallet: In Creases \nCREATIVE TEAM \nDIRIGENTMatthew Rowe \nKOREOGRAFIJustin PeckPam TanowitzUlysses Dove \nKOMPONISTArvo PärtPhilip GlassTed Hearne \nKOSTUMEDESIGNHarriet JungJustin PeckMarc HappelReid Bartelme \nSCENOGRAFI OG KOSTUMEDESIGNJorge Gallardo \nLYSDESIGNBjörn NilssonMark StanleyMartin SäfströmSimon Bennison \nCAST
URL:https://philipglass.com/event/copenhagen-denmark-ballet-in-creases-7/
LOCATION:Det Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270603
DTEND;VALUE=DATE:20270604
DTSTAMP:20260803T111209
CREATED:20260702T225738Z
LAST-MODIFIED:20260802T232953Z
UID:10001923-1811980800-1812067199@philipglass.com
SUMMARY:Chicago\, IL (The Light)
DESCRIPTION:https://cso.org/performances/26-27/cso/concerto-for-two-pianos-with-lucas-arthur-jussen/ \nChicago Symphony OrchestraKazuki Yamada\, conductor \nProgramGlass – The LightPoulenc – Concerto for Two PianosTchaikovsky – Symphony No. 2 \nNo composer of our day captures the wonders of science like Philip Glass\, whose The Light draws inspiration from a landmark experiment involving the speed of light. No less imaginative is Poulenc’s Double Concerto\, which references everything from Mozart and jazz to Balinese gamelan sounds. It highlights Dutch brothers Lucas and Arthur Jussen\, who play as one\, “blazing along the keyboard with precision and breathtaking dynamism” (Bachtrack). Closing the program is Tchaikovsky’s Second Symphony\, which quotes Ukrainian folk tunes using lustrous orchestral colors.
URL:https://philipglass.com/event/chicago-il-the-light-2/
LOCATION:Symphony Center\, 220 S Michigan Ave\, Chicago\, IL 60604\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270603
DTEND;VALUE=DATE:20270604
DTSTAMP:20260803T111209
CREATED:20260729T235824Z
LAST-MODIFIED:20260802T232955Z
UID:10002035-1811980800-1812067199@philipglass.com
SUMMARY:Copenhagen\, Denmark (Ballet: In Creases)
DESCRIPTION:https://www.kglteater.dk/en/ballet/2627/giant-steps \nDet Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark \nBallet: In Creases \nCREATIVE TEAM \nDIRIGENTMatthew Rowe \nKOREOGRAFIJustin PeckPam TanowitzUlysses Dove \nKOMPONISTArvo PärtPhilip GlassTed Hearne \nKOSTUMEDESIGNHarriet JungJustin PeckMarc HappelReid Bartelme \nSCENOGRAFI OG KOSTUMEDESIGNJorge Gallardo \nLYSDESIGNBjörn NilssonMark StanleyMartin SäfströmSimon Bennison \nCAST
URL:https://philipglass.com/event/copenhagen-denmark-ballet-in-creases-6/
LOCATION:Det Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270604
DTEND;VALUE=DATE:20270605
DTSTAMP:20260803T111209
CREATED:20260227T000343Z
LAST-MODIFIED:20260802T233015Z
UID:10001741-1812067200-1812153599@philipglass.com
SUMMARY:Baltimore\, MD (Symphony No.15 "Lincoln" MARYLAND PREMIERE)
DESCRIPTION:June 4\, 2027 \n Copland & a New American Symphony  Return to Calendar Listing  \nBold\, cinematic\, and unmistakably American Learn more  \nArtists Baltimore Symphony Orchestra Jonathon Heyward\, conductor YaoGuang Zhai\, clarinet  \nRepertoire JONATHAN LESHNOFF Symphony No. 6     (world premiere\, BSO commission) COPLAND Clarinet Concerto PHILIP GLASS Symphony No. 15\, “Lincoln” \nFind out more: https://my.bsomusic.org/overview/20357?_gl=1*rdhle8*_ga*MTMzNjExNzk1LjE3NzIwMzk4MTU.*_ga_83RH2VF5DX*czE3NzIwNTYxMjEkbzIkZzEkdDE3NzIwNTYxMjIkajU5JGwwJGgw*_gcl_au*ODc1MzAzMTAyLjE3NzIwMzk4MTQ.*_ga_1W9WT05TG3*czE3NzIwNTYxMjEkbzIkZzEkdDE3NzIwNTYxMjIkajU5JGwwJGgw
URL:https://philipglass.com/event/baltimore-md-symphony-no-15-lincoln-maryland-premiere/
LOCATION:Baltimore Symphony Orchestra\, 1212 Cathedral St\, Baltimore\, MD 21201\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270604
DTEND;VALUE=DATE:20270605
DTSTAMP:20260803T111209
CREATED:20260702T225736Z
LAST-MODIFIED:20260802T233010Z
UID:10001922-1812067200-1812153599@philipglass.com
SUMMARY:Chicago\, IL (The Light)
DESCRIPTION:https://cso.org/performances/26-27/cso/concerto-for-two-pianos-with-lucas-arthur-jussen/ \nChicago Symphony OrchestraKazuki Yamada\, conductor \nProgramGlass – The LightPoulenc – Concerto for Two PianosTchaikovsky – Symphony No. 2 \nNo composer of our day captures the wonders of science like Philip Glass\, whose The Light draws inspiration from a landmark experiment involving the speed of light. No less imaginative is Poulenc’s Double Concerto\, which references everything from Mozart and jazz to Balinese gamelan sounds. It highlights Dutch brothers Lucas and Arthur Jussen\, who play as one\, “blazing along the keyboard with precision and breathtaking dynamism” (Bachtrack). Closing the program is Tchaikovsky’s Second Symphony\, which quotes Ukrainian folk tunes using lustrous orchestral colors.
URL:https://philipglass.com/event/chicago-il-the-light/
LOCATION:Symphony Center\, 220 S Michigan Ave\, Chicago\, IL 60604\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270605
DTEND;VALUE=DATE:20270606
DTSTAMP:20260803T111209
CREATED:20260227T000340Z
LAST-MODIFIED:20260802T233014Z
UID:10001740-1812153600-1812239999@philipglass.com
SUMMARY:Bethesda\, MD (Symphony No.15 "Lincoln" MARYLAND PREMIERE)
DESCRIPTION:June 5\, 2027 \n Copland & a New American Symphony  Return to Calendar Listing  \nBold\, cinematic\, and unmistakably American Learn more  \nArtists Baltimore Symphony Orchestra Jonathon Heyward\, conductor YaoGuang Zhai\, clarinet  \nRepertoire JONATHAN LESHNOFF Symphony No. 6     (world premiere\, BSO commission) COPLAND Clarinet Concerto PHILIP GLASS Symphony No. 15\, “Lincoln” \nFind out more: https://my.bsomusic.org/overview/20357?_gl=1*rdhle8*_ga*MTMzNjExNzk1LjE3NzIwMzk4MTU.*_ga_83RH2VF5DX*czE3NzIwNTYxMjEkbzIkZzEkdDE3NzIwNTYxMjIkajU5JGwwJGgw*_gcl_au*ODc1MzAzMTAyLjE3NzIwMzk4MTQ.*_ga_1W9WT05TG3*czE3NzIwNTYxMjEkbzIkZzEkdDE3NzIwNTYxMjIkajU5JGwwJGgw
URL:https://philipglass.com/event/bethesda-md-symphony-no-15-lincoln-maryland-premiere/
LOCATION:Strathmore Hall\, North Bethesda\, MD 20814\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270605
DTEND;VALUE=DATE:20270606
DTSTAMP:20260803T111209
CREATED:20260702T225740Z
LAST-MODIFIED:20260802T233008Z
UID:10001924-1812153600-1812239999@philipglass.com
SUMMARY:Chicago\, IL (The Light)
DESCRIPTION:https://cso.org/performances/26-27/cso/concerto-for-two-pianos-with-lucas-arthur-jussen/ \nChicago Symphony OrchestraKazuki Yamada\, conductor \nProgramGlass – The LightPoulenc – Concerto for Two PianosTchaikovsky – Symphony No. 2 \nNo composer of our day captures the wonders of science like Philip Glass\, whose The Light draws inspiration from a landmark experiment involving the speed of light. No less imaginative is Poulenc’s Double Concerto\, which references everything from Mozart and jazz to Balinese gamelan sounds. It highlights Dutch brothers Lucas and Arthur Jussen\, who play as one\, “blazing along the keyboard with precision and breathtaking dynamism” (Bachtrack). Closing the program is Tchaikovsky’s Second Symphony\, which quotes Ukrainian folk tunes using lustrous orchestral colors.
URL:https://philipglass.com/event/chicago-il-the-light-3/
LOCATION:Symphony Center\, 220 S Michigan Ave\, Chicago\, IL 60604\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270605
DTEND;VALUE=DATE:20270606
DTSTAMP:20260803T111209
CREATED:20260729T235839Z
LAST-MODIFIED:20260802T233017Z
UID:10002037-1812153600-1812239999@philipglass.com
SUMMARY:Copenhagen\, Denmark (Ballet: In Creases)
DESCRIPTION:https://www.kglteater.dk/en/ballet/2627/giant-steps \nDet Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark \nBallet: In Creases \nCREATIVE TEAM \nDIRIGENTMatthew Rowe \nKOREOGRAFIJustin PeckPam TanowitzUlysses Dove \nKOMPONISTArvo PärtPhilip GlassTed Hearne \nKOSTUMEDESIGNHarriet JungJustin PeckMarc HappelReid Bartelme \nSCENOGRAFI OG KOSTUMEDESIGNJorge Gallardo \nLYSDESIGNBjörn NilssonMark StanleyMartin SäfströmSimon Bennison \nCAST
URL:https://philipglass.com/event/copenhagen-denmark-ballet-in-creases-8/
LOCATION:Det Kongelige Teater og Kapel\, Refshalevej 173A\, 1432 København\, Denmark
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270606
DTEND;VALUE=DATE:20270607
DTSTAMP:20260803T111209
CREATED:20260227T000347Z
LAST-MODIFIED:20260802T233012Z
UID:10001742-1812240000-1812326399@philipglass.com
SUMMARY:Baltimore\, MD (Symphony No.15 "Lincoln" MARYLAND PREMIERE)
DESCRIPTION:June 6\, 2027 \n Copland & a New American Symphony  Return to Calendar Listing  \nBold\, cinematic\, and unmistakably American Learn more  \nArtists Baltimore Symphony Orchestra Jonathon Heyward\, conductor YaoGuang Zhai\, clarinet  \nRepertoire JONATHAN LESHNOFF Symphony No. 6     (world premiere\, BSO commission) COPLAND Clarinet Concerto PHILIP GLASS Symphony No. 15\, “Lincoln” \nFind out more: https://my.bsomusic.org/overview/20357?_gl=1*rdhle8*_ga*MTMzNjExNzk1LjE3NzIwMzk4MTU.*_ga_83RH2VF5DX*czE3NzIwNTYxMjEkbzIkZzEkdDE3NzIwNTYxMjIkajU5JGwwJGgw*_gcl_au*ODc1MzAzMTAyLjE3NzIwMzk4MTQ.*_ga_1W9WT05TG3*czE3NzIwNTYxMjEkbzIkZzEkdDE3NzIwNTYxMjIkajU5JGwwJGgw
URL:https://philipglass.com/event/baltimore-md-symphony-no-15-lincoln-maryland-premiere-2/
LOCATION:Baltimore Symphony Orchestra\, 1212 Cathedral St\, Baltimore\, MD 21201\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270606
DTEND;VALUE=DATE:20270607
DTSTAMP:20260803T111209
CREATED:20260702T225744Z
LAST-MODIFIED:20260802T233003Z
UID:10001925-1812240000-1812326399@philipglass.com
SUMMARY:Chicago\, IL (The Light)
DESCRIPTION:https://cso.org/performances/26-27/cso/concerto-for-two-pianos-with-lucas-arthur-jussen/ \nChicago Symphony OrchestraKazuki Yamada\, conductor \nProgramGlass – The LightPoulenc – Concerto for Two PianosTchaikovsky – Symphony No. 2 \nNo composer of our day captures the wonders of science like Philip Glass\, whose The Light draws inspiration from a landmark experiment involving the speed of light. No less imaginative is Poulenc’s Double Concerto\, which references everything from Mozart and jazz to Balinese gamelan sounds. It highlights Dutch brothers Lucas and Arthur Jussen\, who play as one\, “blazing along the keyboard with precision and breathtaking dynamism” (Bachtrack). Closing the program is Tchaikovsky’s Second Symphony\, which quotes Ukrainian folk tunes using lustrous orchestral colors.
URL:https://philipglass.com/event/chicago-il-the-light-4/
LOCATION:Symphony Center\, 220 S Michigan Ave\, Chicago\, IL 60604\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270607
DTEND;VALUE=DATE:20270608
DTSTAMP:20260803T111209
CREATED:20260619T065356Z
LAST-MODIFIED:20260802T233019Z
UID:10001869-1812326400-1812412799@philipglass.com
SUMMARY:Paris\, France (Piano Works with Maki Namekawa)
DESCRIPTION:June 7\, 2027 \nProgram Joe Hisaishi  \nBolero (extrait de Etude)  \nOne Summer‘s Day (extrait de Spirited Away)  \nRyuichi Sakamoto Thousand Knives  \nAkira Ifukube Bon-Odori (extrait de Piano Suite)  \nPhilip Glass Opening  \nNovember 25th Morning  \nAward Montage  \nRunaway Horses (extraits de Mishima)  \nPrimacy of Number (extrait de Naqoyqatsi)  Intermission  \nToru Takemitsu Waltz (extrait de The Face of Another)  \nPhilip Glass Evening Song (extrait de Satyagraha)  \nJoe Hisaishi Piano Sonata création française  \nMerry Go Round of Life (extrait de Howl‘s Moving Castle)  \n Maki Namekawa \, pianoIn a programme blending piano\, concert\, and film\, Maki Namekawa—a passionate Philip Glass interpreter and spirited champion of contemporary music with deep affinities for cinema and jazz—performs the French premiere of Joe Hisaishi’s Sonate. \nFind out more: https://philharmoniedeparis.fr/en/activite/29822?itemId=147983
URL:https://philipglass.com/event/paris-france-piano-works-with-maki-namekawa/
LOCATION:Paris Philharmonic\, 221 Av. Jean Jaurès au 6e étage\, 75019 Paris\, France
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270610
DTEND;VALUE=DATE:20270611
DTSTAMP:20260803T111209
CREATED:20260724T235724Z
LAST-MODIFIED:20260802T233024Z
UID:10001983-1812585600-1812671999@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n “Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270611
DTEND;VALUE=DATE:20270612
DTSTAMP:20260803T111209
CREATED:20260624T235530Z
LAST-MODIFIED:20260802T233022Z
UID:10001875-1812672000-1812758399@philipglass.com
SUMMARY:Amsterdam\, Holland (Violin Concerto No.1)
DESCRIPTION:https://orkest.nl/en/concerten/1521-john-adams-philip-glass-and-john-williams-star-wars-suite/ \nLocation \nHet Concertgebouw \nGrote Zaal \nAmsterdam \nProgram \nWilliams – Star Wars SuiteGlass – Violin Concerto No 1Adams – Harmonium for choir and orchestra \nNederlands PhilharmonischDalia Stasevska\, conductor \nLast year\, Dalia Stasevska made her debut with theNetherlands Philharmonic Orchestra with Holst’s ThePlanets. Now\, the engaging and successful Finnish-Ukrainian conductor is conducting works by three ofthe most successful living American composers: John Williams’ Star Wars Suite\, Philip Glass’ Violin Concerto No. 1 and John Adams’ Harmonium for choir andorchestra. \nThree composers are celebrating their birthdays \nJohn Adams will turn eighty in 2027\, Glass will turn ninety and Williams will even turn ninety-five! The birthdays of these composers will be celebrated worldwide and the Netherlands Philharmonic Orchestra is happy to join in the celebrations. \nMinimal music by John Adams \nThe Harmonium for choir and orchestra is the orchestral work with which Adams made his international breakthrough in 1981. This composition for mixed choir and large symphony orchestra is written in minimalist style and was commissioned by the San Francisco Symphony. The piece is dedicated to Edo de Waart\, who conducted its world premiere. The Netherlands Philharmonic Orchestra will perform Harmonium for the first time\, accompanied by the Amsterdam Student Choir and the Amsterdam Toonkunst Choir. \nThis programme can be heard on 11 and 12 June in the Concertgebouw.
URL:https://philipglass.com/event/amsterdam-holland-violin-concerto-no-1/
LOCATION:The Concertgebouw\, Concertgebouwplein 10\, 1071 LH Amsterdam\, Netherlands
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270612
DTEND;VALUE=DATE:20270613
DTSTAMP:20260803T111209
CREATED:20260624T235532Z
LAST-MODIFIED:20260802T233025Z
UID:10001876-1812758400-1812844799@philipglass.com
SUMMARY:Amsterdam\, Holland (Violin Concerto No.1)
DESCRIPTION:https://orkest.nl/en/concerten/1521-john-adams-philip-glass-and-john-williams-star-wars-suite/ \nLocation \nHet Concertgebouw \nGrote Zaal \nAmsterdam \nProgram \nWilliams – Star Wars SuiteGlass – Violin Concerto No 1Adams – Harmonium for choir and orchestra \nNederlands PhilharmonischDalia Stasevska\, conductor \nLast year\, Dalia Stasevska made her debut with theNetherlands Philharmonic Orchestra with Holst’s ThePlanets. Now\, the engaging and successful Finnish-Ukrainian conductor is conducting works by three ofthe most successful living American composers: John Williams’ Star Wars Suite\, Philip Glass’ Violin Concerto No. 1 and John Adams’ Harmonium for choir andorchestra. \nThree composers are celebrating their birthdays \nJohn Adams will turn eighty in 2027\, Glass will turn ninety and Williams will even turn ninety-five! The birthdays of these composers will be celebrated worldwide and the Netherlands Philharmonic Orchestra is happy to join in the celebrations. \nMinimal music by John Adams \nThe Harmonium for choir and orchestra is the orchestral work with which Adams made his international breakthrough in 1981. This composition for mixed choir and large symphony orchestra is written in minimalist style and was commissioned by the San Francisco Symphony. The piece is dedicated to Edo de Waart\, who conducted its world premiere. The Netherlands Philharmonic Orchestra will perform Harmonium for the first time\, accompanied by the Amsterdam Student Choir and the Amsterdam Toonkunst Choir. \nThis programme can be heard on 11 and 12 June in the Concertgebouw.
URL:https://philipglass.com/event/amsterdam-holland-violin-concerto-no-1-2/
LOCATION:The Concertgebouw\, Concertgebouwplein 10\, 1071 LH Amsterdam\, Netherlands
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270612
DTEND;VALUE=DATE:20270613
DTSTAMP:20260803T111209
CREATED:20260724T235728Z
LAST-MODIFIED:20260802T233020Z
UID:10001984-1812758400-1812844799@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-2/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270614
DTEND;VALUE=DATE:20270615
DTSTAMP:20260803T111209
CREATED:20260724T235732Z
LAST-MODIFIED:20260802T233027Z
UID:10001985-1812931200-1813017599@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-3/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270618
DTEND;VALUE=DATE:20270619
DTSTAMP:20260803T111209
CREATED:20260724T235734Z
LAST-MODIFIED:20260802T233031Z
UID:10001986-1813276800-1813363199@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-4/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270622
DTEND;VALUE=DATE:20270623
DTSTAMP:20260803T111209
CREATED:20260724T235737Z
LAST-MODIFIED:20260802T233033Z
UID:10001987-1813622400-1813708799@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-5/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270625
DTEND;VALUE=DATE:20270626
DTSTAMP:20260803T111209
CREATED:20260724T235740Z
LAST-MODIFIED:20260802T233034Z
UID:10001988-1813881600-1813967999@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-6/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270626
DTEND;VALUE=DATE:20270627
DTSTAMP:20260803T111209
CREATED:20260724T235744Z
LAST-MODIFIED:20260802T233038Z
UID:10001990-1813968000-1814054399@philipglass.com
SUMMARY:Vienna\, Austria (Opening\, Etudes Nos. 3 & 15)
DESCRIPTION:https://musikverein.at/konzert/?id=0006ab4b \nGroßer Saal | 19:30 UhrVíkingur ÓlafssonGlass • Debussy • Rameau ERINNERUNG \nDer Vorverkauf für Mitglieder beginnt am 26.4.2027 um 9.00 Uhr.Der allgemeine Vorverkauf beginnt am 3.5.2027 um 9.00 Uhr. \nINTERPRET:INNENVíkingur Ólafsson\, Klavier \nPROGRAMM \nPhilip Glass \nGlassworks – 1. Satz (Opening)Claude Debussy \nOndine. Prélude für Klavier (Band II)Philip Glass \nÉtude Nr. 15Jean Philippe Rameau \nSuite Nr. 2 e-Moll – AuszügeClaude Debussy \nJardins sous la pluiePhilip Glass \nÉtude Nr. 3Claude Debussy \nThe snow is dancing („La neige danse“) aus „Children’s Corner“ („Le Coin des enfants“)Jean Philippe Rameau \nSuite Nr. 5 a-Moll – Auszüge
URL:https://philipglass.com/event/vienna-austria-opening-etudes-nos-3-15/
LOCATION:Musikverein Wien\, Musikvereinspl. 1\, 1010 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270627
DTEND;VALUE=DATE:20270628
DTSTAMP:20260803T111209
CREATED:20260724T235741Z
LAST-MODIFIED:20260802T233036Z
UID:10001989-1814054400-1814140799@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-7/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270629
DTEND;VALUE=DATE:20270630
DTSTAMP:20260803T111209
CREATED:20260724T235746Z
LAST-MODIFIED:20260802T233041Z
UID:10001991-1814227200-1814313599@philipglass.com
SUMMARY:Vienna\, Austria (Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-burden-loops/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270629
DTEND;VALUE=DATE:20270630
DTSTAMP:20260803T111209
CREATED:20260724T235748Z
LAST-MODIFIED:20260802T233040Z
UID:10001992-1814227200-1814313599@philipglass.com
SUMMARY:Hamburg\, Germany (Opening\, Etudes Nos.3 & 15)
DESCRIPTION:https://www.elbphilharmonie.de/en/whats-on/vikingur-olafsson-piano-recital/27923 \nPHILIP GLASS 90TH BIRTHDAY TRIBUTERameau\, Debussy and Glass may initially appear to be a very strange threesome. However\, when listening to their piano works\, the intriguing musical relationship between them soon becomes clear. All three artists used shades and colours in their compositions to create unique musical paintings that we can hear in a musical dialogue at this recital by Víkingur Ólafsson. The secret of Ólafsson’s ability to reveal the rich spectrum of colour in any piece of music lies in his synaesthesia. This rare gift means he can see colours when he hears music\, and it played a key role in his discovery of the deep connection between Jean-Philippe Rameau\, Claude Debussy and Philip Glass. Despite living in different eras\, the trio shared an understanding of harmonies and colours and how these can seem to dissolve into space and time. The three composers also have one more thing in common. Víkingur Ólafsson dedicated his first and third CDs to them in recordings that propelled him to a new pinnacle of success. \nPROGRAMM \nPhilip Glass \nGlassworks – 1. Satz (Opening)Claude Debussy \nOndine. Prélude für Klavier (Band II)Philip Glass \nÉtude Nr. 15Jean Philippe Rameau \nSuite Nr. 2 e-Moll – AuszügeClaude Debussy \nJardins sous la pluiePhilip Glass \nÉtude Nr. 3Claude Debussy \nThe snow is dancing („La neige danse“) aus „Children’s Corner“ („Le Coin des enfants“)Jean Philippe Rameau \nSuite Nr. 5 a-Moll – Auszüge
URL:https://philipglass.com/event/hamburg-germany-opening-etudes-nos-3-15/
LOCATION:Elbphilharmonie Hamburg\, Platz d. Deutschen Einheit 4\, 20457 Hamburg\, Germany
END:VEVENT
END:VCALENDAR