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DTSTART;VALUE=DATE:20261109
DTEND;VALUE=DATE:20261110
DTSTAMP:20261107T235031Z
CREATED:20260924T232326Z
LAST-MODIFIED:20261107T235031Z
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SUMMARY:Graz\, Austria (Harpsichord Concerto)
DESCRIPTION:https://styriarte.com/produktionen/american-dream \nEIN AMERIKANISCHER TRAUM IM STREICHERKLANG: \nDas Adagio von Samuel Barber wurde durch Hollywood zum traumhaft schönen Trauerstück des Kinos. Mei-Ann Chen kombiniert es mit Strawinskis fröhlichem Concerto für einen Park in Washington D.C. und mit einem furiosen Streichertanz der New Yorkerin Jessie Montgomery. Und Michael Hell zeigt\, wie anders ein Cembalo klingt\, wenn Philip Glass seine „Minimal Music“ darüber ausbreitet. PROGRAMM \nSamuel Barber: Adagio for Strings\, op. 11 Philip Glass: Concerto for Harpsichord and Orchestra (2002) Steve Reich: Duet Jessie Montgomery: Strum Igor Strawinski: Concerto in Es\, „Dumbarton Oaks” INTRO \nJeweils 20 Minuten vor Vorstellungsbeginn erzählt Ihnen Intendant Mathis Huber etwas zur Geschichte des Abends.
URL:https://philipglass.com/event/graz-austria-harpsichord-concerto-2/
LOCATION:Stefaniensaal Sparkassenplatz 1\, 8010 Graz\, Austria\, Albrechtgasse 1\, Graz\, Steiermark\, 8010\, Austria
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261111
DTEND;VALUE=DATE:20261112
DTSTAMP:20261107T235034Z
CREATED:20260626T225448Z
LAST-MODIFIED:20261107T235034Z
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SUMMARY:Graz\, Austria (Harpsichord Concerto)
DESCRIPTION:https://styriarte.com/produktionen/american-dream \nDas Adagio von Samuel Barber wurde durch Hollywood zum traumhaft schönen Trauerstück des Kinos. Mei-Ann Chen kombiniert es mit Strawinskis fröhlichem Concerto für einen Park in Washington D.C. und mit einem furiosen Streichertanz der New Yorkerin Jessie Montgomery. Und Michael Hell zeigt\, wie anders ein Cembalo klingt\, wenn Philip Glass seine „Minimal Music“ darüber ausbreitet.  \nPROGRAMM\nSamuel Barber: Adagio for Strings\, op. 11 Philip Glass: Concerto for Harpsichord and Orchestra (2002) Steve Reich: Duet Jessie Montgomery: Strum Igor Strawinski: Concerto in Es\, „Dumbarton Oaks” 
URL:https://philipglass.com/event/graz-austria-harpsichord-concerto/
LOCATION:Congress Center\, Albrechtgasse 1\, 8010 Graz\, Austria\, Albrechtgasse 1\, Graz\, Steiermark\, 8010\, Austria
GEO:47.0695893;15.4381356
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Congress Center Albrechtgasse 1 8010 Graz Austria Albrechtgasse 1 Graz Steiermark 8010 Austria;X-APPLE-RADIUS=500;X-TITLE=Albrechtgasse 1:geo:15.4381356,47.0695893
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261112
DTEND;VALUE=DATE:20261113
DTSTAMP:20261107T235036Z
CREATED:20261017T230644Z
LAST-MODIFIED:20261107T235036Z
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SUMMARY:Santa Fe\, NM (Powaqqatsi)
DESCRIPTION:Philip Glass Ensemble \nVenue: The Lensic \nProgram: Powaqqatsi: Live with Film
URL:https://philipglass.com/event/santa-fe-nm-powaqqatsi/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261112
DTEND;VALUE=DATE:20261113
DTSTAMP:20261107T235035Z
CREATED:20261022T225119Z
LAST-MODIFIED:20261107T235035Z
UID:10002144-1794441600-1794527999@philipglass.com
SUMMARY:Dublin\, Ireland (Violin Concerto No.1)
DESCRIPTION:https://www.nch.ie/all-events-listing/rte-co-presents-mari-samuelsen-nov26/ \nRTÉ CO Presents: Mari Samuelsen: Philip Glass & John Williams \nRTÉ Concert OrchestraPatrik Ringborg conductorMari Samuelsen violin \nJohn Williams Superman MarchJohn Williams Where Dreams are born (AI Artificial Intelligence)Philip Glass Violin Concerto No. 1IntervalJohn Williams ET: Flying ThemeJohn Williams The Chairman’s WaltzJohn Williams Jurassic Park ThemeJohn Williams Devil’s Dance (The Witches of Eastwick)    John Williams Hedwig’s Theme    John Williams Schindler’s List ThemeJohn Williams Raiders Of The Lost Ark: Raiders’ MarchJohn Williams Empire Strikes back: Imperial March \nNorwegian violinist Mari Samuelsen joins the RTÉ Concert Orchestra for a cinematic orchestral sensation. \nAn exclusive Deutsche Grammophon artist\, Samuelsen returns following multiple sold-out performances of Vivaldi’s Four Seasons Reimagined in the NCH\, and at festivals All Together Now\, Galway International Arts Festival and Kilkenny Arts Festival – this time\, with a blockbuster programme\, conducted by celebrated Swedish conductor Patrik Ringborg. \nThe dynamic violinist joins the RTÉ CO for Philip Glass’ hypnotic Violin Concerto No. 1\, as heard in Emmanuel Carrere’s La Moustache (2005). Built on a foundation of looping and building arpeggios\, Glass’ popular Concerto was composed in 1987 for his late father: “let me write a piece that my father would have liked”. \nJohn Williams’ soundtracks from E.T.\, Star Wars and Harry Potter also feature in the programme. Samuelsen will feature as soloist in the theme from Schindler’s List – remorseful\, powerful and perfectly suited to her emotive and expressive style – and in the Chairman’s Waltz from Memoirs of a Geisha. \nThe theme from Jurassic Park and the Raiders’ March from Raiders of the Lost Ark bring dramatic energy to a kaleidoscopic programme of nostalgia and adventure.  \n“The rapport between Samuelsen and the orchestra was superb” (Bachtrack\, 2024). Witness the synergy of this incredible partnership across sweeping cinematic repertoire.  \nPresented by the RTÉ Concert Orchestra
URL:https://philipglass.com/event/dublin-ireland-violin-concerto-no-1-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261115
DTEND;VALUE=DATE:20261116
DTSTAMP:20261107T235039Z
CREATED:20261013T233715Z
LAST-MODIFIED:20261107T235039Z
UID:10002099-1794700800-1794787199@philipglass.com
SUMMARY:Rome\, Italy (The Complete Piano Etudes)
DESCRIPTION:https://romaeuropa.net/festival-2026/philip-glass-complete-piano-etudes/ \nVanessa Wagner \nPhilip Glass: The Complete Piano Etudes \nNel giorno conclusivo del festival\, Romaeuropa anticipa i festeggiamenti per i 90 anni di Philip Glass\, che cadranno nel gennaio 2027\, con Philip Glass Afternoon Sessions\, un intero pomeriggio dedicato a uno dei compositori che più radicalmente hanno ridefinito il paesaggio sonoro del nostro tempo. \nIn questo orizzonte si inserisce la presenza di Vanessa Wagner\, tra le pianiste più originali e autorevoli della scena francese contemporanea\, protagonista di una esecuzione integrale delle venti Piano Etudes di Philip Glass\, in un attraversamento di circa tre ore che si impone come esperienza di ascolto\, resistenza e immersione. Vincitrice di una Victoire de la Musique\, interprete capace di muoversi con assoluta naturalezza tra il repertorio classico e la musica d’oggi\, Wagner affronta questo ciclo monumentale non come una semplice prova di virtuosismo\, ma come un paesaggio in trasformazione continua\, dove ripetizione\, variazione\, sospensione e slittamento costruiscono una drammaturgia del tempo profondamente ipnotica. Composte tra gli anni Novanta e i primi Duemila\, le Études condensano una delle forme più intime e insieme più architettoniche della scrittura di Glass\, restituendone il pensiero musicale nella sua dimensione più nuda\, esposta\, essenziale. Un concerto-fiume che è insieme tributo e riattivazione: un modo per tornare al cuore pulsante di un’opera che continua a ridefinire il nostro modo di ascoltare.
URL:https://philipglass.com/event/rome-italy-the-complete-piano-etudes/
LOCATION:Auditorium Parco della Musica\, Via Pietro de Coubertin\, 30\, 00196 Roma RM\, Italy\, Via Pietro de Coubertin 30\, Roma\, Lazio\, 00196\, Italy
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261116
DTEND;VALUE=DATE:20261117
DTSTAMP:20261107T235038Z
CREATED:20261008T235229Z
LAST-MODIFIED:20261107T235038Z
UID:10002093-1794787200-1794873599@philipglass.com
SUMMARY:Cleveland\, OH (String Quartet No.2 "Company")
DESCRIPTION:The Verona Quartet \nGlass – String Quartet No.2\, “Company” \n \nBarber – String Quartet in B minor\, Op. 11 \n \nDvorak – String Quartet in A-flat major\, Op. 105
URL:https://philipglass.com/event/cleveland-oh-string-quartet-no-2-company/
LOCATION:Hotel Cleveland\, Cleveland\, Ohio\, United States
GEO:41.49932;-81.6943605
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261118
DTEND;VALUE=DATE:20261119
DTSTAMP:20261107T235041Z
CREATED:20260806T225425Z
LAST-MODIFIED:20261107T235041Z
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SUMMARY:Bloomington\, IN (Symphony No.15 "Lincoln" INDIANA PREMIERE)
DESCRIPTION:18th November 2026 \nPhilip Glass Symphony No. 15 ‘Lincoln’PERFORMERS Indiana University; Jacobs School of Music \nCONDUCTOR Karen Kamensek \nLOCATION Musical Arts Center Indiana University\, Bloomington\, IN\, United States of America
URL:https://philipglass.com/event/bloomington-in-symphony-no-15-lincoln-indiana-premiere/
LOCATION:Musical Arts Center (MAC)\, Bloomington\, IN 47406\, USA\, Bloomington\, Indiana\, 47406\, United States
GEO:39.1665751;-86.5174632
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261119
DTEND;VALUE=DATE:20261120
DTSTAMP:20261107T235056Z
CREATED:20260619T065110Z
LAST-MODIFIED:20261107T235056Z
UID:10001808-1795046400-1795132799@philipglass.com
SUMMARY:Brooklyn\, NY (Einstein on the Beach)
DESCRIPTION:https://www.bam.org/music/2026/einstein-on-the-beach-50 \nEinstein on the Beach–50th Anniversary ConcertNOV 19—21\, 2026NEXT WAVEEinstein on the Beach50th Anniversary ConcertThe Philip Glass Ensemble \nThe music of the opera by Philip Glass and Robert WilsonPart of  Fall 2026 and  Next Wave 2026 \nSome artworks change history\, affecting everything that comes after them. Some change us\, altering the way we perceive the world. Einstein on the Beach does both.  \nFirst staged at BAM in 1984 and revived in 1992 and 2012\, this revolutionary work returns in a 50th Anniversary Concert presented by the artists who know it best—The Philip Glass Ensemble\, led by longtime music director Michael Riesman—with a special artistic installation by Tony and Olivier Award-winning artist and designer Es Devlin inspired by Glass’s early writings about his mesmerizing music.  \nIntroduced at the 1976 Festival d’Avignon by visionary director Robert Wilson and iconic composer Philip Glass—who hatched their collaboration after meeting at BAM in 1973—this otherworldly opera has captivated audiences with its luminosity and propulsion\, permanently rewiring the rules of storytelling\, stagecraft\, and composition. Hypnotic\, transcendent\, and unlike anything before or since\, Einstein on the Beach is an experience that demands to be met on its own terms.
URL:https://philipglass.com/event/brooklyn-ny-einstein-on-the-beach/
LOCATION:Brooklyn Academy of Music\, 30 Lafayette Ave\, Brooklyn\, NY 11217\, USA\, Lafayette Avenue 30\, New York\, 11217\, United States
GEO:40.6864737;-73.9776469
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Brooklyn Academy of Music 30 Lafayette Ave Brooklyn NY 11217 USA Lafayette Avenue 30 New York 11217 United States;X-APPLE-RADIUS=500;X-TITLE=Lafayette Avenue 30:geo:-73.9776469,40.6864737
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261119
DTEND;VALUE=DATE:20261120
DTSTAMP:20261107T235054Z
CREATED:20260702T225437Z
LAST-MODIFIED:20261107T235054Z
UID:10001918-1795046400-1795132799@philipglass.com
SUMMARY:Berlin\, Germany (GLA55 - 10 movements to the music of Philip Glass)
DESCRIPTION:https://www.berlinerfestspiele.de/performing-arts-season/programm/2026/spielplan/gla55 \nDanceGLA55 \n10 movements to the music of Philip Glass \nAnne Teresa De Keersmaeker / Rosas\, Ictus & Bl!ndman \nWorld premiereSeveral people are standing or moving about in a rehearsal room\, surrounded by colourful circles. \nGla55. 10 movements to the music of Philip Glass © Anne Van Aerschot \nThursday\, 19.11.202619:30–20:30Haus der Berliner Festspiele\, Main Stage \nca. 1 h\, no interval \n17–58\, reduced € 10–20Save up to 25 % with our packages.Tickets \nFriday\, 20.11.2026Saturday\, 21.11.2026 \nGLA55. 10 movements to the music of Philip Glass explores the power of minimal means. In her new work\, premiering at the Berliner Festspiele\, Anne Teresa De Keersmaeker weaves obsessive turns\, geometric forms and early compositions by Philip Glass into a choreographic experiment suspended between trance and rigorous form. \nArtist Talkwith Anne Teresa De Keersmaekeron Friday\, 20.11.2026 after the performanceHaus der Berliner Festspiele\, Main StageIn English \nA space turns into circle and spiral; time and body into a repeating pulse. With GLA55. 10 movements to the music of Philip Glass\, Anne Teresa De Keersmaeker\, a pioneer of contemporary choreography\, once again invites audiences into the mechanical yet trance-like world of minimal movement. \nSix dancers from the Rosas dance company share the stage with seven members of the ensembles Ictus and Bl!ndman. Their inspiration comes from Philip Glass’s early works – Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion and Music with Changing Parts. The result is a physical ritual that renders both geometry and time tangible: ellipses\, circles\, and spirals emerge as recurring figures\, the choreography condenses movement into a continuum of tension and release\, stillness and rotation. Each impulse\, each turn generates a resonance in space that draws the audience into a corporeal experience of time\, making obsessive repetition and rhythmic precision palpable. GLA55 is an experimental invocation that recalibrates the relationship between music\, space and body\, distilling minimal material to its highest intensity. Here\, bodies\, sound and rhythmic structure merge into a singular experience in which perception itself enters a subtle\, hypnotic oscillation. \nWith GLA55\, De Keersmaeker returns to a guiding principle of her practice: exhausting minimal abstract material to the limits of its possibilities. Trance-like states\, manic turns and circling movements come to the fore – choreographic gestures that have shaped her artistic signature style since Fase (1982) and the founding of the company Rosas in 1983\, and which have also been institutionalised with the establishment of the P.A.R.T.S. training center for contemporary dance in 1995. \nFor over four decades\, Anne Teresa De Keersmaeker has developed works that rigorously explore the relationship between music\, space\, and movement. Earlier key pieces such as Asch (1980)\, Rosas danst Rosas (1983) and The Six Brandenburg Concertos (2018) exemplify her consistent use of a minimal formal language\, which in GLA55 finds a new fusion with the music of Philip Glass. \nArtistic Team \nAnne Teresa De Keersmaeker – ChoreographyBoštjan Antončič\, Niklas Capel\, Lav Crnčević\, José Paulo dos Santos\, Sunai Elbers\, Sue Yeon Youn – Co-Creation and DancePhilip Glass Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion\, Music with Changing Parts – MusicIctus & Bl!ndman: Fabian Coomans\, Chryssi Dimitriou\, Aisha Orazbayeva\, Hendrik Pellens\, Jean-Luc Plouvier\, Piet Rebel\, Eric Sleichim – MusiciansMinna Tiikkainen – Lighting DesignAouatif Boulaich – CostumesWannes Gyselinck – DramaturgyAlexandre Fostier – Sound
URL:https://philipglass.com/event/berlin-germany-gla55-10-movements-to-the-music-of-philip-glass/
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin-Bezirk Charlottenburg-Wilmersdorf\, Germany\, Schaperstraße 24\, Berlin\, Berlin\, 10719\, Germany
GEO:52.4985937;13.3287092
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20261121
DTSTAMP:20261107T235046Z
CREATED:20260619T065112Z
LAST-MODIFIED:20261107T235046Z
UID:10001809-1795132800-1795219199@philipglass.com
SUMMARY:Brooklyn\, NY (Einstein on the Beach)
DESCRIPTION:https://www.bam.org/music/2026/einstein-on-the-beach-50 \nEinstein on the Beach–50th Anniversary ConcertNOV 19—21\, 2026NEXT WAVEEinstein on the Beach50th Anniversary ConcertThe Philip Glass Ensemble \nThe music of the opera by Philip Glass and Robert WilsonPart of  Fall 2026 and  Next Wave 2026 \nSome artworks change history\, affecting everything that comes after them. Some change us\, altering the way we perceive the world. Einstein on the Beach does both.  \nFirst staged at BAM in 1984 and revived in 1992 and 2012\, this revolutionary work returns in a 50th Anniversary Concert presented by the artists who know it best—The Philip Glass Ensemble\, led by longtime music director Michael Riesman—with a special artistic installation by Tony and Olivier Award-winning artist and designer Es Devlin inspired by Glass’s early writings about his mesmerizing music.  \nIntroduced at the 1976 Festival d’Avignon by visionary director Robert Wilson and iconic composer Philip Glass—who hatched their collaboration after meeting at BAM in 1973—this otherworldly opera has captivated audiences with its luminosity and propulsion\, permanently rewiring the rules of storytelling\, stagecraft\, and composition. Hypnotic\, transcendent\, and unlike anything before or since\, Einstein on the Beach is an experience that demands to be met on its own terms.
URL:https://philipglass.com/event/brooklyn-ny-einstein-on-the-beach-2/
LOCATION:Brooklyn Academy of Music\, 30 Lafayette Ave\, Brooklyn\, NY 11217\, USA\, Lafayette Avenue 30\, New York\, 11217\, United States
GEO:40.6864737;-73.9776469
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20261121
DTSTAMP:20261107T235050Z
CREATED:20260702T225446Z
LAST-MODIFIED:20261107T235050Z
UID:10001920-1795132800-1795219199@philipglass.com
SUMMARY:Berlin\, Germany (GLA55 - 10 movements to the music of Philip Glass)
DESCRIPTION:https://www.berlinerfestspiele.de/performing-arts-season/programm/2026/spielplan/gla55 \nDanceGLA55 \n10 movements to the music of Philip Glass \nAnne Teresa De Keersmaeker / Rosas\, Ictus & Bl!ndman \nWorld premiereSeveral people are standing or moving about in a rehearsal room\, surrounded by colourful circles. \nGla55. 10 movements to the music of Philip Glass © Anne Van Aerschot \nThursday\, 19.11.202619:30–20:30Haus der Berliner Festspiele\, Main Stage \nca. 1 h\, no interval \n17–58\, reduced € 10–20Save up to 25 % with our packages.Tickets \nFriday\, 20.11.2026Saturday\, 21.11.2026 \nGLA55. 10 movements to the music of Philip Glass explores the power of minimal means. In her new work\, premiering at the Berliner Festspiele\, Anne Teresa De Keersmaeker weaves obsessive turns\, geometric forms and early compositions by Philip Glass into a choreographic experiment suspended between trance and rigorous form. \nArtist Talkwith Anne Teresa De Keersmaekeron Friday\, 20.11.2026 after the performanceHaus der Berliner Festspiele\, Main StageIn English \nA space turns into circle and spiral; time and body into a repeating pulse. With GLA55. 10 movements to the music of Philip Glass\, Anne Teresa De Keersmaeker\, a pioneer of contemporary choreography\, once again invites audiences into the mechanical yet trance-like world of minimal movement. \nSix dancers from the Rosas dance company share the stage with seven members of the ensembles Ictus and Bl!ndman. Their inspiration comes from Philip Glass’s early works – Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion and Music with Changing Parts. The result is a physical ritual that renders both geometry and time tangible: ellipses\, circles\, and spirals emerge as recurring figures\, the choreography condenses movement into a continuum of tension and release\, stillness and rotation. Each impulse\, each turn generates a resonance in space that draws the audience into a corporeal experience of time\, making obsessive repetition and rhythmic precision palpable. GLA55 is an experimental invocation that recalibrates the relationship between music\, space and body\, distilling minimal material to its highest intensity. Here\, bodies\, sound and rhythmic structure merge into a singular experience in which perception itself enters a subtle\, hypnotic oscillation. \nWith GLA55\, De Keersmaeker returns to a guiding principle of her practice: exhausting minimal abstract material to the limits of its possibilities. Trance-like states\, manic turns and circling movements come to the fore – choreographic gestures that have shaped her artistic signature style since Fase (1982) and the founding of the company Rosas in 1983\, and which have also been institutionalised with the establishment of the P.A.R.T.S. training center for contemporary dance in 1995. \nFor over four decades\, Anne Teresa De Keersmaeker has developed works that rigorously explore the relationship between music\, space\, and movement. Earlier key pieces such as Asch (1980)\, Rosas danst Rosas (1983) and The Six Brandenburg Concertos (2018) exemplify her consistent use of a minimal formal language\, which in GLA55 finds a new fusion with the music of Philip Glass. \nArtistic Team \nAnne Teresa De Keersmaeker – ChoreographyBoštjan Antončič\, Niklas Capel\, Lav Crnčević\, José Paulo dos Santos\, Sunai Elbers\, Sue Yeon Youn – Co-Creation and DancePhilip Glass Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion\, Music with Changing Parts – MusicIctus & Bl!ndman: Fabian Coomans\, Chryssi Dimitriou\, Aisha Orazbayeva\, Hendrik Pellens\, Jean-Luc Plouvier\, Piet Rebel\, Eric Sleichim – MusiciansMinna Tiikkainen – Lighting DesignAouatif Boulaich – CostumesWannes Gyselinck – DramaturgyAlexandre Fostier – Sound
URL:https://philipglass.com/event/berlin-germany-gla55-10-movements-to-the-music-of-philip-glass-3/
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin-Bezirk Charlottenburg-Wilmersdorf\, Germany\, Schaperstraße 24\, Berlin\, Berlin\, 10719\, Germany
GEO:52.4985937;13.3287092
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20261121
DTSTAMP:20261107T235052Z
CREATED:20260722T232425Z
LAST-MODIFIED:20261107T235052Z
UID:10001958-1795132800-1795219199@philipglass.com
SUMMARY:Berkeley\, CA (The Complete Piano Etudes)
DESCRIPTION:https://calperformances.org/events/2026-27/new-music/the-complete-philip-glass-piano-etudes/ \nPianists to include Timo Andres\, Aaron Diehl\, Daniela Liebman\, and Jason Moran \nPhilip Glass’ Piano Etudes\, “portals into Glass’ world of whirling arpeggios\, shocking rhythmic and harmonic turns\, and meditative discipline” (The New York Times)\, represent the composer’s most personal body of work\, a self-portrait of a life’s practice representing some of his most intimate and inventive music. Cal Performances hosts a marathon tribute to the prolific and hugely influential composer during his 90th birthday year\, inviting 10 accomplished pianists from all corners of the music world–both longtime Glass interpreters and special guests–to reflect on this remarkable music. \n“It works best\, therefore\, to think about the Etudes… as sketches of a creative force whose work will outlast any single one of us\, including the artist who made it”—The Guardian \nPlease note: Philip Glass will not be present for this performance. \nThis performance is made possible in part by Françoise Stone. Additional support is provided by the Estate of Anne Shortall.
URL:https://philipglass.com/event/berkeley-ca-the-complete-piano-etudes/
LOCATION:Cal Performances\, 101 Zellerbach Hall\, Berkeley\, CA 94720\, USA\, Zellerbach Hall 101\, Berkeley\, California\, 94720\, United States
GEO:37.8690457;-122.2606874
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20261121
DTSTAMP:20261107T235049Z
CREATED:20260924T232337Z
LAST-MODIFIED:20261107T235049Z
UID:10002082-1795132800-1795219199@philipglass.com
SUMMARY:ALBUM RELEASE:  Ji Liu - The Complete Piano Etudes
DESCRIPTION:https://heresyrecords.com/ji-liu/ \nPhilip Glass: The Complete Piano Etudes presents one of the defining masterpieces of contemporary piano literature in a magnificent new recording by Steinway Artist Ji Liu. Performed with exceptional technical brilliance\, poetic sensitivity\, and profound musical insight\, this complete two-disc set reveals the extraordinary emotional range\, lyricism\, and hypnotic beauty of Glass’s twenty Etudes. Recorded in the superb acoustics of Shenzhen University Concert Hall\, this is an interpretation of remarkable depth that stands among the finest recordings of these landmark works.
URL:https://philipglass.com/event/album-release-ji-liu-the-complete-piano-etudes/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261121
DTEND;VALUE=DATE:20261122
DTSTAMP:20261107T235057Z
CREATED:20260619T065114Z
LAST-MODIFIED:20261107T235057Z
UID:10001810-1795219200-1795305599@philipglass.com
SUMMARY:Brooklyn\, NY (Einstein on the Beach)
DESCRIPTION:https://www.bam.org/music/2026/einstein-on-the-beach-50 \nEinstein on the Beach–50th Anniversary ConcertNOV 19—21\, 2026NEXT WAVEEinstein on the Beach50th Anniversary ConcertThe Philip Glass Ensemble \nThe music of the opera by Philip Glass and Robert WilsonPart of  Fall 2026 and  Next Wave 2026 \nSome artworks change history\, affecting everything that comes after them. Some change us\, altering the way we perceive the world. Einstein on the Beach does both.  \nFirst staged at BAM in 1984 and revived in 1992 and 2012\, this revolutionary work returns in a 50th Anniversary Concert presented by the artists who know it best—The Philip Glass Ensemble\, led by longtime music director Michael Riesman—with a special artistic installation by Tony and Olivier Award-winning artist and designer Es Devlin inspired by Glass’s early writings about his mesmerizing music.  \nIntroduced at the 1976 Festival d’Avignon by visionary director Robert Wilson and iconic composer Philip Glass—who hatched their collaboration after meeting at BAM in 1973—this otherworldly opera has captivated audiences with its luminosity and propulsion\, permanently rewiring the rules of storytelling\, stagecraft\, and composition. Hypnotic\, transcendent\, and unlike anything before or since\, Einstein on the Beach is an experience that demands to be met on its own terms.
URL:https://philipglass.com/event/brooklyn-ny-einstein-on-the-beach-3/
LOCATION:Brooklyn Academy of Music\, 30 Lafayette Ave\, Brooklyn\, NY 11217\, USA\, Lafayette Avenue 30\, New York\, 11217\, United States
GEO:40.6864737;-73.9776469
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261121
DTEND;VALUE=DATE:20261122
DTSTAMP:20261107T235043Z
CREATED:20260626T225458Z
LAST-MODIFIED:20261107T235043Z
UID:10001899-1795219200-1795305599@philipglass.com
SUMMARY:Oklahoma City\, OK (The Hours)
DESCRIPTION:21st November 2026 \nPhilip Glass The Hours: A Suite in Three Movements \nPERFORMERSOklahoma City Philharmonic \nLOCATIONCivic Center Music Hall\, Oklahoma City\, OK\, United States of America
URL:https://philipglass.com/event/oklahoma-city-ok-the-hours/
LOCATION:Civic Center Music Hall\, 201 N Walker Ave\, Oklahoma City\, OK 73102\, USA\, North Walker Avenue 201\, Oklahoma City\, Oklahoma\, 73102\, United States
GEO:35.4690541;-97.5235626
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261121
DTEND;VALUE=DATE:20261122
DTSTAMP:20261107T235048Z
CREATED:20260702T225444Z
LAST-MODIFIED:20261107T235048Z
UID:10001919-1795219200-1795305599@philipglass.com
SUMMARY:Berlin\, Germany (GLA55 - 10 movements to the music of Philip Glass)
DESCRIPTION:https://www.berlinerfestspiele.de/performing-arts-season/programm/2026/spielplan/gla55 \nDanceGLA55 \n10 movements to the music of Philip Glass \nAnne Teresa De Keersmaeker / Rosas\, Ictus & Bl!ndman \nWorld premiereSeveral people are standing or moving about in a rehearsal room\, surrounded by colourful circles. \nGla55. 10 movements to the music of Philip Glass © Anne Van Aerschot \nThursday\, 19.11.202619:30–20:30Haus der Berliner Festspiele\, Main Stage \nca. 1 h\, no interval \n17–58\, reduced € 10–20Save up to 25 % with our packages.Tickets \nFriday\, 20.11.2026Saturday\, 21.11.2026 \nGLA55. 10 movements to the music of Philip Glass explores the power of minimal means. In her new work\, premiering at the Berliner Festspiele\, Anne Teresa De Keersmaeker weaves obsessive turns\, geometric forms and early compositions by Philip Glass into a choreographic experiment suspended between trance and rigorous form. \nArtist Talkwith Anne Teresa De Keersmaekeron Friday\, 20.11.2026 after the performanceHaus der Berliner Festspiele\, Main StageIn English \nA space turns into circle and spiral; time and body into a repeating pulse. With GLA55. 10 movements to the music of Philip Glass\, Anne Teresa De Keersmaeker\, a pioneer of contemporary choreography\, once again invites audiences into the mechanical yet trance-like world of minimal movement. \nSix dancers from the Rosas dance company share the stage with seven members of the ensembles Ictus and Bl!ndman. Their inspiration comes from Philip Glass’s early works – Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion and Music with Changing Parts. The result is a physical ritual that renders both geometry and time tangible: ellipses\, circles\, and spirals emerge as recurring figures\, the choreography condenses movement into a continuum of tension and release\, stillness and rotation. Each impulse\, each turn generates a resonance in space that draws the audience into a corporeal experience of time\, making obsessive repetition and rhythmic precision palpable. GLA55 is an experimental invocation that recalibrates the relationship between music\, space and body\, distilling minimal material to its highest intensity. Here\, bodies\, sound and rhythmic structure merge into a singular experience in which perception itself enters a subtle\, hypnotic oscillation. \nWith GLA55\, De Keersmaeker returns to a guiding principle of her practice: exhausting minimal abstract material to the limits of its possibilities. Trance-like states\, manic turns and circling movements come to the fore – choreographic gestures that have shaped her artistic signature style since Fase (1982) and the founding of the company Rosas in 1983\, and which have also been institutionalised with the establishment of the P.A.R.T.S. training center for contemporary dance in 1995. \nFor over four decades\, Anne Teresa De Keersmaeker has developed works that rigorously explore the relationship between music\, space\, and movement. Earlier key pieces such as Asch (1980)\, Rosas danst Rosas (1983) and The Six Brandenburg Concertos (2018) exemplify her consistent use of a minimal formal language\, which in GLA55 finds a new fusion with the music of Philip Glass. \nArtistic Team \nAnne Teresa De Keersmaeker – ChoreographyBoštjan Antončič\, Niklas Capel\, Lav Crnčević\, José Paulo dos Santos\, Sunai Elbers\, Sue Yeon Youn – Co-Creation and DancePhilip Glass Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion\, Music with Changing Parts – MusicIctus & Bl!ndman: Fabian Coomans\, Chryssi Dimitriou\, Aisha Orazbayeva\, Hendrik Pellens\, Jean-Luc Plouvier\, Piet Rebel\, Eric Sleichim – MusiciansMinna Tiikkainen – Lighting DesignAouatif Boulaich – CostumesWannes Gyselinck – DramaturgyAlexandre Fostier – Sound
URL:https://philipglass.com/event/berlin-germany-gla55-10-movements-to-the-music-of-philip-glass-2/
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin-Bezirk Charlottenburg-Wilmersdorf\, Germany\, Schaperstraße 24\, Berlin\, Berlin\, 10719\, Germany
GEO:52.4985937;13.3287092
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261124
DTEND;VALUE=DATE:20261125
DTSTAMP:20261107T235101Z
CREATED:20261029T230652Z
LAST-MODIFIED:20261107T235101Z
UID:10002148-1795478400-1795564799@philipglass.com
SUMMARY:London\, UK (The Complete Piano Etudes)
DESCRIPTION:https://bechsteinhall.com/events/ji-liu/ \nTo celebrate the release of Philip Glass: The Complete Piano Etudes\, pianist Ji Liu returns to Bechstein Hall for an intimate album-launch recital. Released on 20 November 2026\, the new recording presents all twenty of Glass’s Piano Etudes\, inviting listeners to discover and rediscover their rich and imaginative sound world. In this special event\, Ji Liu performs a carefully curated selection from the cycle\, offering audiences a personal encounter with one of the defining bodies of contemporary piano literature.  \n“Performing Glass’s Piano Etudes and creating a shared space for listening and imagination with the audience is always a moving and memorable musical experience for me. Each time I return to these works\, something new unfolds and reshapes the way I listen\, remember and inhabit the music. I hope to share this fascinating musical journey with you all.” — Ji Liu \nDr Ji Liu combines a distinguished career as a pianist\, composer\, scholar and educator. As an international soloist\, he has performed at venues and festivals including Royal Albert Hall and Royal Festival Hall\, Carnegie Hall\, Auditorium du Louvre\, Royal Concertgebouw\, Henley Festival\, Petworth Festival\, Bristol Proms\, Verbier Festival\, etc. At Classic FM’s 25th anniversary\, Ji Liu performed for His Majesty King Charles III and other distinguished guests at the Dumfries House. \nJi Liu has worked with orchestras including the Philharmonia Orchestra\, Royal Liverpool Philharmonic Orchestra\, Bournemouth Symphony Orchestra\, Beijing’s NCPA Orchestra\, Xiamen Philharmonic Orchestra\, Shanghai Philharmonic Orchestra\, etc. He gave world premieres of Ludovico Einaudi’s Piano Concerto Domino with RLPO and Boris Bergmann’s The Richter Scale; China premieres of Philip Glass’s Complete Piano Etudes and Frederic Rzewski’s People United Will Never Be Defeated! Variations. \nAs a published composer\, Ji Liu has written for orchestras\, chamber ensembles\, vocals and solo instruments. His 18-hour Sonata Fantasy was certified as “The Longest Ever Released Instrumental Work” by the Guinness World Record. His discography encompasses repertoires from the Baroque period to the 21st century. \nHis research has been presented at institutions such as the University of Oxford\, the Sydney Conservatorium of Music\, the Orpheus Institute and the University of California. \nJi Liu studied Piano Performance with Professor Christopher Elton and Composition with Professor Ruth Byrchmore at Royal Academy of Music. He holds a PhD in Music from King’s College London\, where he was supervised by Professor Daniel Leech-Wilkinson\, and is the recipient of the Forrest Creative and Performance Leadership Fellowship. He was appointed Inaugural Music Ambassador by Shanghai FM94.7. Since 2018\, he has served as Head of Performance at the Kent International Piano Course\, and he is Head of Keyboard Department at Trinity Laban Conservatoire of Music and Dance in London.
URL:https://philipglass.com/event/london-uk-the-complete-piano-etudes/
LOCATION:Bechstein Hall\, 18-22 Wigmore St\, London W1U 2RH\, UK
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261125
DTEND;VALUE=DATE:20261126
DTSTAMP:20261107T235059Z
CREATED:20260728T233927Z
LAST-MODIFIED:20261107T235059Z
UID:10001998-1795564800-1795651199@philipglass.com
SUMMARY:Paris\, France (DANCE)
DESCRIPTION:https://www.festival-automne.com/en/edition-2026/lucinda-childs-alessandro-sciarroni-ballet-de-opera-de-lyon-dance-hope \nThe Ballet de l’Opéra de Lyon brings together two repetitive movement choreographers: Lucinda Childs\, with Dance\, an iconic work first performed in 1979\, and Alessandro Sciarroni\, winner of the Golden Lion at the Venice Biennale\, who presents HØPE\, a new work inspired by a dance found in cowboy culture.  \nIt is impossible to grow tired of watching Dance\, an emblematic work of post-modern dance. Devised very much in complicity with composer Philip Glass and visual artist Sol LeWitt\, it furthered the research carried out by Lucinda Childs after her collaboration with Bob Wilson on Einstein on the Beach. In it\, the choreographer unfurls writing that is rigorous\, abstract\, and free from all forms of narration. The choreographic motifs are repeated and go out of synch in a subtle way\, and at the same time the music and video multiply the different effects\, giving rise to a hypnotic experience.  \nThis dialogue at the crossroads between dance\, musical composition and the visual arts is also an integral part of Alessandro Sciarroni’s work. After exploring various folklore dances from Folks to Save the Last Dance for Me\, he now tackles the two-step\, a dance with strict codes that is associated with cowboying. Drawing upon repetition and variation\, he progressively alters its outlines\, via the introduction of rhythmic and perceptive shifts. The experience gives rise to emotion of a unique kind\, tinged with softness and nostalgia.
URL:https://philipglass.com/event/lyon-france-dance-5/
LOCATION:La Villette\, 69003 Lyon\, France\, Lyon\, Auvergne-Rhône-Alpes\, 69003\, France
GEO:45.7602595;4.8646955
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261126
DTEND;VALUE=DATE:20261127
DTSTAMP:20261107T235105Z
CREATED:20260728T233939Z
LAST-MODIFIED:20261107T235105Z
UID:10002002-1795651200-1795737599@philipglass.com
SUMMARY:Paris\, France (DANCE)
DESCRIPTION:https://www.festival-automne.com/en/edition-2026/lucinda-childs-alessandro-sciarroni-ballet-de-opera-de-lyon-dance-hope \nThe Ballet de l’Opéra de Lyon brings together two repetitive movement choreographers: Lucinda Childs\, with Dance\, an iconic work first performed in 1979\, and Alessandro Sciarroni\, winner of the Golden Lion at the Venice Biennale\, who presents HØPE\, a new work inspired by a dance found in cowboy culture.  \nIt is impossible to grow tired of watching Dance\, an emblematic work of post-modern dance. Devised very much in complicity with composer Philip Glass and visual artist Sol LeWitt\, it furthered the research carried out by Lucinda Childs after her collaboration with Bob Wilson on Einstein on the Beach. In it\, the choreographer unfurls writing that is rigorous\, abstract\, and free from all forms of narration. The choreographic motifs are repeated and go out of synch in a subtle way\, and at the same time the music and video multiply the different effects\, giving rise to a hypnotic experience.  \nThis dialogue at the crossroads between dance\, musical composition and the visual arts is also an integral part of Alessandro Sciarroni’s work. After exploring various folklore dances from Folks to Save the Last Dance for Me\, he now tackles the two-step\, a dance with strict codes that is associated with cowboying. Drawing upon repetition and variation\, he progressively alters its outlines\, via the introduction of rhythmic and perceptive shifts. The experience gives rise to emotion of a unique kind\, tinged with softness and nostalgia.
URL:https://philipglass.com/event/lyon-france-dance-9/
LOCATION:La Villette\, 69003 Lyon\, France\, Lyon\, Auvergne-Rhône-Alpes\, 69003\, France
GEO:45.7602595;4.8646955
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261127
DTEND;VALUE=DATE:20261128
DTSTAMP:20261107T235103Z
CREATED:20260728T233934Z
LAST-MODIFIED:20261107T235103Z
UID:10002001-1795737600-1795823999@philipglass.com
SUMMARY:Paris\, France (DANCE)
DESCRIPTION:https://www.festival-automne.com/en/edition-2026/lucinda-childs-alessandro-sciarroni-ballet-de-opera-de-lyon-dance-hope \nThe Ballet de l’Opéra de Lyon brings together two repetitive movement choreographers: Lucinda Childs\, with Dance\, an iconic work first performed in 1979\, and Alessandro Sciarroni\, winner of the Golden Lion at the Venice Biennale\, who presents HØPE\, a new work inspired by a dance found in cowboy culture.  \nIt is impossible to grow tired of watching Dance\, an emblematic work of post-modern dance. Devised very much in complicity with composer Philip Glass and visual artist Sol LeWitt\, it furthered the research carried out by Lucinda Childs after her collaboration with Bob Wilson on Einstein on the Beach. In it\, the choreographer unfurls writing that is rigorous\, abstract\, and free from all forms of narration. The choreographic motifs are repeated and go out of synch in a subtle way\, and at the same time the music and video multiply the different effects\, giving rise to a hypnotic experience.  \nThis dialogue at the crossroads between dance\, musical composition and the visual arts is also an integral part of Alessandro Sciarroni’s work. After exploring various folklore dances from Folks to Save the Last Dance for Me\, he now tackles the two-step\, a dance with strict codes that is associated with cowboying. Drawing upon repetition and variation\, he progressively alters its outlines\, via the introduction of rhythmic and perceptive shifts. The experience gives rise to emotion of a unique kind\, tinged with softness and nostalgia.
URL:https://philipglass.com/event/lyon-france-dance-8/
LOCATION:La Villette\, 69003 Lyon\, France\, Lyon\, Auvergne-Rhône-Alpes\, 69003\, France
GEO:45.7602595;4.8646955
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261128
DTEND;VALUE=DATE:20261129
DTSTAMP:20261107T235107Z
CREATED:20260728T233932Z
LAST-MODIFIED:20261107T235107Z
UID:10002000-1795824000-1795910399@philipglass.com
SUMMARY:Paris\, France (DANCE)
DESCRIPTION:https://www.festival-automne.com/en/edition-2026/lucinda-childs-alessandro-sciarroni-ballet-de-opera-de-lyon-dance-hope \nThe Ballet de l’Opéra de Lyon brings together two repetitive movement choreographers: Lucinda Childs\, with Dance\, an iconic work first performed in 1979\, and Alessandro Sciarroni\, winner of the Golden Lion at the Venice Biennale\, who presents HØPE\, a new work inspired by a dance found in cowboy culture.  \nIt is impossible to grow tired of watching Dance\, an emblematic work of post-modern dance. Devised very much in complicity with composer Philip Glass and visual artist Sol LeWitt\, it furthered the research carried out by Lucinda Childs after her collaboration with Bob Wilson on Einstein on the Beach. In it\, the choreographer unfurls writing that is rigorous\, abstract\, and free from all forms of narration. The choreographic motifs are repeated and go out of synch in a subtle way\, and at the same time the music and video multiply the different effects\, giving rise to a hypnotic experience.  \nThis dialogue at the crossroads between dance\, musical composition and the visual arts is also an integral part of Alessandro Sciarroni’s work. After exploring various folklore dances from Folks to Save the Last Dance for Me\, he now tackles the two-step\, a dance with strict codes that is associated with cowboying. Drawing upon repetition and variation\, he progressively alters its outlines\, via the introduction of rhythmic and perceptive shifts. The experience gives rise to emotion of a unique kind\, tinged with softness and nostalgia.
URL:https://philipglass.com/event/lyon-france-dance-7/
LOCATION:La Villette\, 69003 Lyon\, France\, Lyon\, Auvergne-Rhône-Alpes\, 69003\, France
GEO:45.7602595;4.8646955
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261129
DTEND;VALUE=DATE:20261130
DTSTAMP:20261107T235109Z
CREATED:20260728T233929Z
LAST-MODIFIED:20261107T235109Z
UID:10001999-1795910400-1795996799@philipglass.com
SUMMARY:Paris\, France (DANCE)
DESCRIPTION:https://www.festival-automne.com/en/edition-2026/lucinda-childs-alessandro-sciarroni-ballet-de-opera-de-lyon-dance-hope \nThe Ballet de l’Opéra de Lyon brings together two repetitive movement choreographers: Lucinda Childs\, with Dance\, an iconic work first performed in 1979\, and Alessandro Sciarroni\, winner of the Golden Lion at the Venice Biennale\, who presents HØPE\, a new work inspired by a dance found in cowboy culture.  \nIt is impossible to grow tired of watching Dance\, an emblematic work of post-modern dance. Devised very much in complicity with composer Philip Glass and visual artist Sol LeWitt\, it furthered the research carried out by Lucinda Childs after her collaboration with Bob Wilson on Einstein on the Beach. In it\, the choreographer unfurls writing that is rigorous\, abstract\, and free from all forms of narration. The choreographic motifs are repeated and go out of synch in a subtle way\, and at the same time the music and video multiply the different effects\, giving rise to a hypnotic experience.  \nThis dialogue at the crossroads between dance\, musical composition and the visual arts is also an integral part of Alessandro Sciarroni’s work. After exploring various folklore dances from Folks to Save the Last Dance for Me\, he now tackles the two-step\, a dance with strict codes that is associated with cowboying. Drawing upon repetition and variation\, he progressively alters its outlines\, via the introduction of rhythmic and perceptive shifts. The experience gives rise to emotion of a unique kind\, tinged with softness and nostalgia.
URL:https://philipglass.com/event/lyon-france-dance-6/
LOCATION:La Villette\, 69003 Lyon\, France\, Lyon\, Auvergne-Rhône-Alpes\, 69003\, France
GEO:45.7602595;4.8646955
END:VEVENT
END:VCALENDAR