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DTSTART;VALUE=DATE:20261119
DTEND;VALUE=DATE:20261120
DTSTAMP:20260716T041845
CREATED:20260702T225437Z
LAST-MODIFIED:20260715T230855Z
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SUMMARY:Berlin\, Germany (GLA55 - 10 movements to the music of Philip Glass)
DESCRIPTION:https://www.berlinerfestspiele.de/performing-arts-season/programm/2026/spielplan/gla55 \nDanceGLA55 \n10 movements to the music of Philip Glass \nAnne Teresa De Keersmaeker / Rosas\, Ictus & Bl!ndman \nWorld premiereSeveral people are standing or moving about in a rehearsal room\, surrounded by colourful circles. \nGla55. 10 movements to the music of Philip Glass © Anne Van Aerschot \nThursday\, 19.11.202619:30–20:30Haus der Berliner Festspiele\, Main Stage \nca. 1 h\, no interval \n17–58\, reduced € 10–20Save up to 25 % with our packages.Tickets \nFriday\, 20.11.2026Saturday\, 21.11.2026 \nGLA55. 10 movements to the music of Philip Glass explores the power of minimal means. In her new work\, premiering at the Berliner Festspiele\, Anne Teresa De Keersmaeker weaves obsessive turns\, geometric forms and early compositions by Philip Glass into a choreographic experiment suspended between trance and rigorous form. \nArtist Talkwith Anne Teresa De Keersmaekeron Friday\, 20.11.2026 after the performanceHaus der Berliner Festspiele\, Main StageIn English \nA space turns into circle and spiral; time and body into a repeating pulse. With GLA55. 10 movements to the music of Philip Glass\, Anne Teresa De Keersmaeker\, a pioneer of contemporary choreography\, once again invites audiences into the mechanical yet trance-like world of minimal movement. \nSix dancers from the Rosas dance company share the stage with seven members of the ensembles Ictus and Bl!ndman. Their inspiration comes from Philip Glass’s early works – Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion and Music with Changing Parts. The result is a physical ritual that renders both geometry and time tangible: ellipses\, circles\, and spirals emerge as recurring figures\, the choreography condenses movement into a continuum of tension and release\, stillness and rotation. Each impulse\, each turn generates a resonance in space that draws the audience into a corporeal experience of time\, making obsessive repetition and rhythmic precision palpable. GLA55 is an experimental invocation that recalibrates the relationship between music\, space and body\, distilling minimal material to its highest intensity. Here\, bodies\, sound and rhythmic structure merge into a singular experience in which perception itself enters a subtle\, hypnotic oscillation. \nWith GLA55\, De Keersmaeker returns to a guiding principle of her practice: exhausting minimal abstract material to the limits of its possibilities. Trance-like states\, manic turns and circling movements come to the fore – choreographic gestures that have shaped her artistic signature style since Fase (1982) and the founding of the company Rosas in 1983\, and which have also been institutionalised with the establishment of the P.A.R.T.S. training center for contemporary dance in 1995. \nFor over four decades\, Anne Teresa De Keersmaeker has developed works that rigorously explore the relationship between music\, space\, and movement. Earlier key pieces such as Asch (1980)\, Rosas danst Rosas (1983) and The Six Brandenburg Concertos (2018) exemplify her consistent use of a minimal formal language\, which in GLA55 finds a new fusion with the music of Philip Glass. \nArtistic Team \nAnne Teresa De Keersmaeker – ChoreographyBoštjan Antončič\, Niklas Capel\, Lav Crnčević\, José Paulo dos Santos\, Sunai Elbers\, Sue Yeon Youn – Co-Creation and DancePhilip Glass Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion\, Music with Changing Parts – MusicIctus & Bl!ndman: Fabian Coomans\, Chryssi Dimitriou\, Aisha Orazbayeva\, Hendrik Pellens\, Jean-Luc Plouvier\, Piet Rebel\, Eric Sleichim – MusiciansMinna Tiikkainen – Lighting DesignAouatif Boulaich – CostumesWannes Gyselinck – DramaturgyAlexandre Fostier – Sound
URL:https://philipglass.com/event/berlin-germany-gla55-10-movements-to-the-music-of-philip-glass/
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin-Bezirk Charlottenburg-Wilmersdorf\, Germany
END:VEVENT
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DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20261121
DTSTAMP:20260716T041845
CREATED:20260702T225446Z
LAST-MODIFIED:20260715T230853Z
UID:10001920-1795132800-1795219199@philipglass.com
SUMMARY:Berlin\, Germany (GLA55 - 10 movements to the music of Philip Glass)
DESCRIPTION:https://www.berlinerfestspiele.de/performing-arts-season/programm/2026/spielplan/gla55 \nDanceGLA55 \n10 movements to the music of Philip Glass \nAnne Teresa De Keersmaeker / Rosas\, Ictus & Bl!ndman \nWorld premiereSeveral people are standing or moving about in a rehearsal room\, surrounded by colourful circles. \nGla55. 10 movements to the music of Philip Glass © Anne Van Aerschot \nThursday\, 19.11.202619:30–20:30Haus der Berliner Festspiele\, Main Stage \nca. 1 h\, no interval \n17–58\, reduced € 10–20Save up to 25 % with our packages.Tickets \nFriday\, 20.11.2026Saturday\, 21.11.2026 \nGLA55. 10 movements to the music of Philip Glass explores the power of minimal means. In her new work\, premiering at the Berliner Festspiele\, Anne Teresa De Keersmaeker weaves obsessive turns\, geometric forms and early compositions by Philip Glass into a choreographic experiment suspended between trance and rigorous form. \nArtist Talkwith Anne Teresa De Keersmaekeron Friday\, 20.11.2026 after the performanceHaus der Berliner Festspiele\, Main StageIn English \nA space turns into circle and spiral; time and body into a repeating pulse. With GLA55. 10 movements to the music of Philip Glass\, Anne Teresa De Keersmaeker\, a pioneer of contemporary choreography\, once again invites audiences into the mechanical yet trance-like world of minimal movement. \nSix dancers from the Rosas dance company share the stage with seven members of the ensembles Ictus and Bl!ndman. Their inspiration comes from Philip Glass’s early works – Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion and Music with Changing Parts. The result is a physical ritual that renders both geometry and time tangible: ellipses\, circles\, and spirals emerge as recurring figures\, the choreography condenses movement into a continuum of tension and release\, stillness and rotation. Each impulse\, each turn generates a resonance in space that draws the audience into a corporeal experience of time\, making obsessive repetition and rhythmic precision palpable. GLA55 is an experimental invocation that recalibrates the relationship between music\, space and body\, distilling minimal material to its highest intensity. Here\, bodies\, sound and rhythmic structure merge into a singular experience in which perception itself enters a subtle\, hypnotic oscillation. \nWith GLA55\, De Keersmaeker returns to a guiding principle of her practice: exhausting minimal abstract material to the limits of its possibilities. Trance-like states\, manic turns and circling movements come to the fore – choreographic gestures that have shaped her artistic signature style since Fase (1982) and the founding of the company Rosas in 1983\, and which have also been institutionalised with the establishment of the P.A.R.T.S. training center for contemporary dance in 1995. \nFor over four decades\, Anne Teresa De Keersmaeker has developed works that rigorously explore the relationship between music\, space\, and movement. Earlier key pieces such as Asch (1980)\, Rosas danst Rosas (1983) and The Six Brandenburg Concertos (2018) exemplify her consistent use of a minimal formal language\, which in GLA55 finds a new fusion with the music of Philip Glass. \nArtistic Team \nAnne Teresa De Keersmaeker – ChoreographyBoštjan Antončič\, Niklas Capel\, Lav Crnčević\, José Paulo dos Santos\, Sunai Elbers\, Sue Yeon Youn – Co-Creation and DancePhilip Glass Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion\, Music with Changing Parts – MusicIctus & Bl!ndman: Fabian Coomans\, Chryssi Dimitriou\, Aisha Orazbayeva\, Hendrik Pellens\, Jean-Luc Plouvier\, Piet Rebel\, Eric Sleichim – MusiciansMinna Tiikkainen – Lighting DesignAouatif Boulaich – CostumesWannes Gyselinck – DramaturgyAlexandre Fostier – Sound
URL:https://philipglass.com/event/berlin-germany-gla55-10-movements-to-the-music-of-philip-glass-3/
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin-Bezirk Charlottenburg-Wilmersdorf\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261121
DTEND;VALUE=DATE:20261122
DTSTAMP:20260716T041845
CREATED:20260702T225444Z
LAST-MODIFIED:20260715T230903Z
UID:10001919-1795219200-1795305599@philipglass.com
SUMMARY:Berlin\, Germany (GLA55 - 10 movements to the music of Philip Glass)
DESCRIPTION:https://www.berlinerfestspiele.de/performing-arts-season/programm/2026/spielplan/gla55 \nDanceGLA55 \n10 movements to the music of Philip Glass \nAnne Teresa De Keersmaeker / Rosas\, Ictus & Bl!ndman \nWorld premiereSeveral people are standing or moving about in a rehearsal room\, surrounded by colourful circles. \nGla55. 10 movements to the music of Philip Glass © Anne Van Aerschot \nThursday\, 19.11.202619:30–20:30Haus der Berliner Festspiele\, Main Stage \nca. 1 h\, no interval \n17–58\, reduced € 10–20Save up to 25 % with our packages.Tickets \nFriday\, 20.11.2026Saturday\, 21.11.2026 \nGLA55. 10 movements to the music of Philip Glass explores the power of minimal means. In her new work\, premiering at the Berliner Festspiele\, Anne Teresa De Keersmaeker weaves obsessive turns\, geometric forms and early compositions by Philip Glass into a choreographic experiment suspended between trance and rigorous form. \nArtist Talkwith Anne Teresa De Keersmaekeron Friday\, 20.11.2026 after the performanceHaus der Berliner Festspiele\, Main StageIn English \nA space turns into circle and spiral; time and body into a repeating pulse. With GLA55. 10 movements to the music of Philip Glass\, Anne Teresa De Keersmaeker\, a pioneer of contemporary choreography\, once again invites audiences into the mechanical yet trance-like world of minimal movement. \nSix dancers from the Rosas dance company share the stage with seven members of the ensembles Ictus and Bl!ndman. Their inspiration comes from Philip Glass’s early works – Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion and Music with Changing Parts. The result is a physical ritual that renders both geometry and time tangible: ellipses\, circles\, and spirals emerge as recurring figures\, the choreography condenses movement into a continuum of tension and release\, stillness and rotation. Each impulse\, each turn generates a resonance in space that draws the audience into a corporeal experience of time\, making obsessive repetition and rhythmic precision palpable. GLA55 is an experimental invocation that recalibrates the relationship between music\, space and body\, distilling minimal material to its highest intensity. Here\, bodies\, sound and rhythmic structure merge into a singular experience in which perception itself enters a subtle\, hypnotic oscillation. \nWith GLA55\, De Keersmaeker returns to a guiding principle of her practice: exhausting minimal abstract material to the limits of its possibilities. Trance-like states\, manic turns and circling movements come to the fore – choreographic gestures that have shaped her artistic signature style since Fase (1982) and the founding of the company Rosas in 1983\, and which have also been institutionalised with the establishment of the P.A.R.T.S. training center for contemporary dance in 1995. \nFor over four decades\, Anne Teresa De Keersmaeker has developed works that rigorously explore the relationship between music\, space\, and movement. Earlier key pieces such as Asch (1980)\, Rosas danst Rosas (1983) and The Six Brandenburg Concertos (2018) exemplify her consistent use of a minimal formal language\, which in GLA55 finds a new fusion with the music of Philip Glass. \nArtistic Team \nAnne Teresa De Keersmaeker – ChoreographyBoštjan Antončič\, Niklas Capel\, Lav Crnčević\, José Paulo dos Santos\, Sunai Elbers\, Sue Yeon Youn – Co-Creation and DancePhilip Glass Music in Contrary Motion\, Music in Fifths\, Music in Similar Motion\, Music with Changing Parts – MusicIctus & Bl!ndman: Fabian Coomans\, Chryssi Dimitriou\, Aisha Orazbayeva\, Hendrik Pellens\, Jean-Luc Plouvier\, Piet Rebel\, Eric Sleichim – MusiciansMinna Tiikkainen – Lighting DesignAouatif Boulaich – CostumesWannes Gyselinck – DramaturgyAlexandre Fostier – Sound
URL:https://philipglass.com/event/berlin-germany-gla55-10-movements-to-the-music-of-philip-glass-2/
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin-Bezirk Charlottenburg-Wilmersdorf\, Germany
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