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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261010
DTEND;VALUE=DATE:20261011
DTSTAMP:20260911T230628Z
CREATED:20260722T232303Z
LAST-MODIFIED:20260911T230628Z
UID:10001947-1791590400-1791676799@philipglass.com
SUMMARY:Hamburg\, Germany (1000 Airplanes on the Roof Selections)
DESCRIPTION:https://www.elbphilharmonie.de/en/whats-on/compagnie-la-tempete-obsession/27981 \nPERFORMERS \nCompagnie La Tempête choir and orchestra  \nconductor Simon-Pierre Bestion \nPROGRAMME \n»Obsession«An immersive performance of sound\, light and movement \nArvo PärtMiserere \nPhilip Glass1000 Airplanes on the Roof / adaptation for orchestra by Simon-Pierre Bestion (excerpts) \nArvo PärtTriodion for Mixed a cappella Choir \nJehan AlainTrois Danses / adaptation for orchestra by Simon-Pierre Bestion
URL:https://philipglass.com/event/hamburg-germany-1000-airplanes-on-the-roof-selections/
LOCATION:Elbphilharmonie Hamburg\, Platz d. Deutschen Einheit 4\, 20457 Hamburg\, Germany
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20270127
DTEND;VALUE=DATE:20270128
DTSTAMP:20260911T230947Z
CREATED:20260626T225603Z
LAST-MODIFIED:20260911T230947Z
UID:10001906-1801008000-1801094399@philipglass.com
SUMMARY:Hamburg\, Germany (Finale from Satyagraha)
DESCRIPTION:27th January 2027\nPhilip Glass \n\nSatyagraha Act III – Conclusion\n\n\nSOLOISTS\nIveta Apkalna\, organ\n\n\nLOCATION\nElbphilharmonie\, Hamburg\, Germany
URL:https://philipglass.com/event/hamburg-germany-finale-from-satyagraha/
LOCATION:Elbphilharmonie Hamburg\, Platz d. Deutschen Einheit 4\, 20457 Hamburg\, Germany
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20270629
DTEND;VALUE=DATE:20270630
DTSTAMP:20260911T231413Z
CREATED:20260724T235748Z
LAST-MODIFIED:20260911T231413Z
UID:10001992-1814227200-1814313599@philipglass.com
SUMMARY:Hamburg\, Germany (Opening\, Etudes Nos.3 & 15)
DESCRIPTION:https://www.elbphilharmonie.de/en/whats-on/vikingur-olafsson-piano-recital/27923 \nPHILIP GLASS 90TH BIRTHDAY TRIBUTERameau\, Debussy and Glass may initially appear to be a very strange threesome. However\, when listening to their piano works\, the intriguing musical relationship between them soon becomes clear. All three artists used shades and colours in their compositions to create unique musical paintings that we can hear in a musical dialogue at this recital by Víkingur Ólafsson. The secret of Ólafsson’s ability to reveal the rich spectrum of colour in any piece of music lies in his synaesthesia. This rare gift means he can see colours when he hears music\, and it played a key role in his discovery of the deep connection between Jean-Philippe Rameau\, Claude Debussy and Philip Glass. Despite living in different eras\, the trio shared an understanding of harmonies and colours and how these can seem to dissolve into space and time. The three composers also have one more thing in common. Víkingur Ólafsson dedicated his first and third CDs to them in recordings that propelled him to a new pinnacle of success. \nPROGRAMM \nPhilip Glass \nGlassworks – 1. Satz (Opening)Claude Debussy \nOndine. Prélude für Klavier (Band II)Philip Glass \nÉtude Nr. 15Jean Philippe Rameau \nSuite Nr. 2 e-Moll – AuszügeClaude Debussy \nJardins sous la pluiePhilip Glass \nÉtude Nr. 3Claude Debussy \nThe snow is dancing („La neige danse“) aus „Children’s Corner“ („Le Coin des enfants“)Jean Philippe Rameau \nSuite Nr. 5 a-Moll – Auszüge
URL:https://philipglass.com/event/hamburg-germany-opening-etudes-nos-3-15/
LOCATION:Elbphilharmonie Hamburg\, Platz d. Deutschen Einheit 4\, 20457 Hamburg\, Germany
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