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DTSTART;VALUE=DATE:20270610
DTEND;VALUE=DATE:20270611
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SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n “Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
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DTSTART;VALUE=DATE:20270612
DTEND;VALUE=DATE:20270613
DTSTAMP:20260731T132712
CREATED:20260724T235728Z
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SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-2/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
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DTSTART;VALUE=DATE:20270614
DTEND;VALUE=DATE:20270615
DTSTAMP:20260731T132712
CREATED:20260724T235732Z
LAST-MODIFIED:20260729T235851Z
UID:10001985-1812931200-1813017599@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-3/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
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DTEND;VALUE=DATE:20270619
DTSTAMP:20260731T132712
CREATED:20260724T235734Z
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UID:10001986-1813276800-1813363199@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-4/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
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SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-5/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
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DTSTART;VALUE=DATE:20270625
DTEND;VALUE=DATE:20270626
DTSTAMP:20260731T132712
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UID:10001988-1813881600-1813967999@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-6/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
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DTSTART;VALUE=DATE:20270627
DTEND;VALUE=DATE:20270628
DTSTAMP:20260731T132712
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LAST-MODIFIED:20260729T235859Z
UID:10001989-1814054400-1814140799@philipglass.com
SUMMARY:Vienna\, Austria (Ballet: Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-ballet-burden-loops-7/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
END:VEVENT
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DTSTART;VALUE=DATE:20270629
DTEND;VALUE=DATE:20270630
DTSTAMP:20260731T132712
CREATED:20260724T235746Z
LAST-MODIFIED:20260729T235901Z
UID:10001991-1814227200-1814313599@philipglass.com
SUMMARY:Vienna\, Austria (Burden Loops)
DESCRIPTION:https://www.volksoper.at/production/carmen-suite-2027.en.html \nBallets by Eno Peci and Alberto Alonso \nIn a new creation Eno Peci examines the moments before a decision that are characterised by doubt\, pressure and reticence. Burden Loops does not tell us of finding the “right path” so much as of living in a state where the decision itself becomes an endurance test. Within their movement vocabulary\, the dancers also find themselves in a moment of pause – between expectation and uncertainty\, the urge to move and a lack of orientation. Here their bodies become the means of expressing the tension between a requirement to act and the uncertainty of its outcome.  \n“Sometimes I would think: why did Bizet write an opera? It should be a dance!” is what the legendary prima ballerina Maya Plisetskaya said about the work that she would dance in a creation by the Cuban choreographer Alberto Alonso and which became a remarkable triumph for her.  \nTo an arrangement for percussion and strings by Rodion Shchedrin\, whose percussive and pointed instrumentation recast Bizet’s composition in a new mood\, Alonso choreographed a truly expressionist ballet. Set in a bullring\, whose animal symbolism Alonso associates with the strength and power that makes Carmen who she is\, the choreographer concentrates entirely on a woman who wants to live a free and independent life. As a result\, the stage provides the scene not for a love triangle but for an existential struggle for freedom\, passion and self-determination.   \nLeading TeamBurden Loops \nChoreografieEno Peci \nMusikPhilip Glass \nStage and costume designDiego Rojas Ortiz \nLighting designJohannes Schadl \nCarmen SuiteChoreografieAlberto AlonsoMusikRodion Schtschedrin nach dem Original von Georges Bizet \nStage and costume designSalvador Fernández nach dem Original von Boris Messerer
URL:https://philipglass.com/event/vienna-austria-burden-loops/
LOCATION:Volksoper Wien\, Währinger Str. 78\, 1090 Wien\, Austria
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