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Lincoln Hall, 1620 SW Park Ave, Portland, OR 97201, USA

August 2022

Portland, OR (The Fall of the House of Usher)

Based on the story by Edgar Allan PoeLibretto by Arthur YorinksAugust 25 – 2885 minutes with no intermission. Performed at Lincoln HallMature subject matter.Aug 25 @ 7:30pmAug 27 @ 7:30pmAug 28 @ 3:00pmSubscribeShare This   “. . . Despite the bloodlessness of the protagonists, this is a full-bodied opera that carries a wallop . . . aggressively adapts the original to the demands of the stage.”– Myron Meise, The Hollywood ReporterWhen a man visits his ill childhood friend Roderick Usher after many years…

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Portland, OR (The Fall of the House of Usher)

Based on the story by Edgar Allan PoeLibretto by Arthur YorinksAugust 25 – 2885 minutes with no intermission. Performed at Lincoln HallMature subject matter.Aug 25 @ 7:30pmAug 27 @ 7:30pmAug 28 @ 3:00pmSubscribeShare This   “. . . Despite the bloodlessness of the protagonists, this is a full-bodied opera that carries a wallop . . . aggressively adapts the original to the demands of the stage.”– Myron Meise, The Hollywood ReporterWhen a man visits his ill childhood friend Roderick Usher after many years…

Find out more »

Portland, OR (The Fall of the House of Usher)

Based on the story by Edgar Allan PoeLibretto by Arthur YorinksAugust 25 – 2885 minutes with no intermission. Performed at Lincoln HallMature subject matter.Aug 25 @ 7:30pmAug 27 @ 7:30pmAug 28 @ 3:00pmSubscribeShare This   “. . . Despite the bloodlessness of the protagonists, this is a full-bodied opera that carries a wallop . . . aggressively adapts the original to the demands of the stage.”– Myron Meise, The Hollywood ReporterWhen a man visits his ill childhood friend Roderick Usher after many years…

Find out more »

Portland, OR (The Fall of the House of Usher)

Based on the story by Edgar Allan PoeLibretto by Arthur YorinksAugust 25 – 2885 minutes with no intermission. Performed at Lincoln HallMature subject matter.Aug 25 @ 7:30pmAug 27 @ 7:30pmAug 28 @ 3:00pmSubscribeShare This   “. . . Despite the bloodlessness of the protagonists, this is a full-bodied opera that carries a wallop . . . aggressively adapts the original to the demands of the stage.”– Myron Meise, The Hollywood ReporterWhen a man visits his ill childhood friend Roderick Usher after many years…

Find out more »
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